Recently, I decided to print my latest collagraph. I used sepia colour Caligo Safe Wash etching ink for my first print. This enabled me to see how the various textures on the plate printed.
On looking at this print, I found I needed to leave residue ink on the surface in certain areas to define them more and add depth, particularly on the raised allium seed heads and the background behind.
Having this print to inform me, I decided to produce a second print this time in colour. I used a method known as à la poupée whereby areas of the plate are inked up in different colours and carefully wiped away before putting through the press.
I constantly compared my ink colour to the lavender nearby to try and replicate the flower and leaf colour to make it look natural. I like the colours and as a print the piece differs from the drawing. The paper used for this print was more textured than the previous print, therefore the lines are less defined. The effect is almost pastel like, with quite an impressionist feel. I like this effect in certain areas but I would like others to have more definition so I will try printing in colour on a smoother paper to try and get a good balance. I may also try this paper again but damping it a bit longer to see how that prints as I do like the texture of this paper, it adds both character and interest as it catches the ink.